The Place

clayandloadingMy wife, Carol, and I moved close to Pittsboro, NC, in 1983 and bought a charming but dilapidated old farm, at the end of a dirt road, that has served as our home and pottery ever since.  In the last thirty years we’ve raised a family, and renovated the house and farm buildings, which have subsequently suffered severe damage from hurricanes and tornados. Despite all this, our place grows evermore magical.

I continue to make fine pots, while Carol administers the business (for which I’m truly thankful!). We thoroughly enjoy being in North Carolina, love our hometown and all the relationships we’ve built, and value our deep connection to the pottery community and tradition here.

With the help of my wonderful apprentices, I refine local stoneware clays into an attractive, durable clay body. We make a full line of tableware for domestic use, and a range of planters for the garden. I specialize in making very large pots, planters, jars, vases and jugs.

Please browse the rest of our website to learn more about the pottery, and come visit us at one of our Kiln Openings held three times a year.

View information about identifying pots from W.M. Hewitt pottery.


 The Old Kiln

kiln-500-1My 900 cu. ft. kiln is a modification of a 14th century kiln from Northern Thailand, and is similar in firing principle to the Southern groundhog kiln.

We fill and fire it three times a year, each firing holds about 2000 pots, big and small. The kiln takes five days to load, three and a half days to fire, and a week to cool.

Unloading is always a thrill!


The Newer Kiln

In the summer of 2007, my former apprentice, Zac Spates, built a second big kiln here, helped by a team that included apprentices Aaron Weaver, Noah Reidel and Joseph Sand, as well as Clark and Caleb Cappola, and Johnno, C. W. Harris, Keith Bartholomew, John Belovics, Susan Cutter and friends, and Tim Taft and students from Guilford College. Thank you all for your hard work, particularly Zac!

It is a three-chambered climbing kiln, based on a Japanese design, and is a modified version of a kiln built by Kevin Crowe, whose kiln is near Charlottesville, VA. Please view some pictures of its construction.

We built the new kiln in order to separate the two Southern pottery traditions, the old one for salt glazes, and the new one for ash glazes. I have wanted to pursue each tradition distinctly ever since co-curating the exhibition, “The Potter’s Eye: Art and Tradition in North Carolina,” at the North Carolina Museum of Art, detailing the history and contemporary manifestations of the regional ceramic heritage. Previously I had been firing both styles of pottery in the old salt glaze kiln, which still produces wonderful pots, but now, with two kilns, I enjoy exploring a larger the palette of colors and decorative techniques.

Learn more about and see photos from the building of the kiln.