Stillmand & Hamish packing the kiln for the 95th Firing, in August 2016

Stillman & Hamish packing the kiln – Spring 2016

Using the new materials that Mark has been sourcing from various sites in the Piedmont, Mark and his apprentices did elaborate glaze tests in the Spring 2016 firing, and the results were stunning. Shiny Celadons, Temakos, more…
Preview gallery from the Spring 2016 Kiln Opening

They used these new glazes, as well as their traditional salt and ash glazes for Firing 95 and Firing 96 of the ‘old’ salt kiln.
Preview gallery for December 2016 Kiln Opening

More experimenting, and building on what they have learned, will drive the aesthetic of the pots in the upcoming ‘elle’ firing in April of 2017.  The Preview Gallery for the Spring Kiln Opening should be up by April 20th. To get an email notice about that click here.

Spring Kiln Opening 2017

April 22 & 23 and April 29 & 30
PREVIEW  April 22, 8 – 8:50am

HOURS   Saturdays 9am – 5pm & Sundays noon – 5pm

This will be Firing ‘elle’ of the alkaline kiln. Come on out!













Mark with a table of pots at the Holiday Kiln Opening, December 2016

To get a postcard and/or email about our kiln openings, please click  here.
Hope to see you at a kiln opening soon!

You are also welcome to make an appointment to come out some other time, but by calling (nine one nine) 542-2371 or emailing Mark. His email address is his first name,  _ _ _ _

Future Kiln Openings:

Summer 2017  – August 26 & 27 and September 2 & 3

Holiday Kiln Opening 2017 , as always, the first two weekends in December.


“At his kiln opening in April 1997 the largest members of the new family (of pots) were testaments to Mark’s technical virtuosity combined with a superb artistry that has allowed him to reach new heights, an ascent that we all expect will continue.”
– Sherman Lee was Director of the Cleveland Museum of Art from 1958 to 1983, and was an expert on Asian art. Excepted from the preface to “Mark Hewitt: Potter,” the catalogue to his exhibition at North Carolina State University, Visual Arts Center, October-December 1997.”